![]() ![]() She is obsessed with the textures that traditional media can produce and often incorporates these into her digital artwork using a combination of effects, which creates a result that draws the eye in. The Hue & Saturation layer needed readjusting because otherwise the result would be too dark. Eve works with acrylic paint, watercolor, and digital in Photoshop and Illustrator. One possibility is to use embossed noise:įilter > Stylize > Emboss is applied to the noise in the layer mask of the curves layer. ![]() My opinion is the surface is still too flat, the noise doesn't help. That mask should be generated from the sofa image to make the dark seams and wrinkles less noisy. I inserted a curves adjustment layer to make the fabric darker:Īnother possibility is to insert the noise as a partially transparent image layer which has a layer mask. Simply inserting noise is useless, because the grain must be invisible in dark seams and wrinkles. No grain can be added to your screenshot, even one pixel grains seem too blocky. It's actually not a must, because I could as well have been used the version without feet. I didn't want to color the feet, so there's a layer mask. For that reason the lightness slider is pulled down substantially in the adjustment dialog. The blurred piece of your texture image in bottom right is used as a reference:Īs you see, the lightest parts of the sofa have got your new color. I inserted a Hue & Saturation adjustment layer in colorize mode for it and tweaked until the color seemed acceptable or as acceptable as a single hue version can be. Use them as backgrounds, overlay them onto your artwork, or apply them within masks to make your designs look like aged prints or antique documents. I skipped the warping and took only the average color. This pack contains 20 old paper textures with various amounts of creases, folds and stains, providing a variety of vintage paper effects to suit all kinds of design scenarios. In Photoshop that means a heavy warping job and processing different surfaces separately for best result. That's because the texture should have different watching direction in different places. Your screenshot has too much JPG compression noise and the light grey fabric is too near the white background + grey shades.Īctually I made 2 versions to different layers: One with feet and one without.Ī quick test revealed, that your texture contains too clear stripes, which cannot look plausible as overlay. Color and contrast based methods such as the magic wand, quick selection tool and selecting a color range are ineffective. The background was removed by drawing a path. To get anything usable I started by doing artificial resolution increase to 300% with a photo enlargener (=ON1 Resize, Photoshop's resize is useless because it doesn't try to guess borders and keep them sharp) I guess you have a better version and we have got only a screenshot. The following resources cost a little money, but I definitely recommend checking these related products out to complement my Dust & Scratches Textures.Your sofa image has so low resolution that no fabric texture can look acceptable. My design resources are free to use in both your commercial and personal projects, so if you find them useful a share on Twitter or Facebook is always appreciated to help spread the word.ĭownload the free dust & scratches textures 17mb Want more? Check out these great related products Download the free texturesĭownload this free pack of dust & scratches textures to age and distress your own designs. It might be necessary to select the Invert Mask or Clip options.ĭue to the many tiny shapes that form the vector versions of the textures they can be pretty memory intensive, but the result is an amazing gritty effect that is completely scalable. Add an Opacity Mask to your chosen element.Ĭlick the right hand square in the Transparency panel to activate the Opacity Mask, then paste in and scale a texture from the vector file to fit over your artwork. The vector textures have been Live Traced and converted to Compound Paths to allow them to be used directly in Illustrator. Change the blending mode to Multiply or Screen depending if you’ve Inverted the colours to black on white or white on black to render the background transparent. Open the file and Invert the image to choose between black or white markings.Ĭopy and Paste the texture on a new layer over your photograph. They retain all the fine details from the original scan to apply realistic ageing to your images. The textures in JPEG format are best used in Photoshop. There’s two types of file in the download package high resolution 300ppi JPEG images for use in Photoshop to distress and age your photographs, and the same textures traced into vector format for applying dirty marks to your illustration work. This pack of free textures contains 5 files with increasing amounts of dust & scratches.
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